Bodyguards can pull some pretty long shifts. Especially the ones at the bottom of the totem pole.
And he won't be exactly throwing himself in front of an assassin's bullet meant for the president, either. But more on that later.
Scip gets work from a central office. He's assigned enough hours to cover rent, and he's paid well for his time, but he doesn't work five days a week. Actually, I stuck all the members of the primary cast (and a lot of the supporting players) with jobs that would let 'em believably be home (or wherever) whenever I might need 'em. (Bodyguard, writer, musician, truant student, drunk, etc.) Ray probably comes the closest to having a straight job, but she basically half-runs that joint and picks her own hours.
Speaking of which... Y'know, I used to be afraid that Reagan's dialect was a little over-the-top, even for one of my characters. Yeah, it was fun writing her, but in my brain, she came off a little too close to Tony Soprano for comfort. I harbored a mild fear she was doing Hollywood New York, not the real deal.
Then I went to New York this December and holy shit, I'm going easy on you guys. If I wrote Ray how my waitress in the hotel diner talked, she'd be freakin' unintelligible.
I was in New York for a con, and I'll be at another con this weekend: Ohayocon in Columbus. This was kind of a surprise, and the spot opened up at the very last minute. it's not very far from here and the room'll be cheap, so hey, why not? Come see me, if you're so inclined. I'll have books and shirts for sale! Templar should update as normal on Friday, when I'm on the road.
Also, for some reason, I have mirrored TAZ over on Drunk Duck, where it'll run daily until the archives catch up.
I have a theory, you see.
Back to work...